
Issue 12
Fall 2002
John Sweet
John has a new collection of poems out:
approaching lost - poems by john sweet
$6 postage paid from
Via Dolorosa Press
Hyacinthe L. Raven, ed.
701 East Schaaf Road
Cleveland, OH 44131
www.angelfire.com/oh2/dolorosacash, checks or money orders (made out to Hyacinthe L. Raven)
de chirico's lament
standing in this room i
thought i'd abandoned forever
i become a stranger
to myselfi remember de chirico's lament
and how he dragged his feet
approaching the bleeding
remains of christi remember why
i've always hated poetryand the window isn't open
it's shattered
and through it i can still hear
the screams of the burning girlcan still smell the breath
of the men who
turned away from her and walked
back home to rape their wivesand i find you on
the back stairs where i
left you six years ago and
you've forgotten my nameyou've been married
divorced
and married again
and you hold your children
out against me like
talismansyou show me your scars
and i turn awayashamed not of your pain
but of having been the cause
of so much of it
apparatus, revisited
or consider dali's severed hand
and everything it might
possibly meanconsider the fact that some men
have a physical need for warthat they have their reasons
for calling me a coward
but i will not be jesus christwill not be the
patron saint of starving dogs or even
the prince of swords reversedcan you see that america
was inevitable?do you understand why hitler
will never be killed?picture a house surrounded by
unmarked snowa girl found
naked and raped and murdered in
the basementpicture a woman's bound remains
found in a burning closeta father injecting his own son
with poisoned bloodi am only giving you one
version of reality
yes
but one may be all of us deserve
and i am thinking of the
simple beauty of an empty
sheet of paperam thinking of my unborn child
and of my wife's silent fearsand what i've become is a man
defined fully by
the things he cannot touch
february 15th, early afternoon, the poem left untitled
not silence but
the uneasy shudder
of the windthe sound of a man
found hanging in his cell
three thousand miles away and
maybe i smilemaybe the salt of
february
is all i tastethe threat of snow
momentarily transformed into
the threat of rain and
i think i've been in this
town too longin this house
and in this room
watching the passing days through
a pane of warped and dirty glass
and i am loved despite all
of my failuresi am afraid with or without
the presence of godand i can show you the body
of a woman forty years dead by
her own hand and can only
hope that you understand
why it mattersi can bleed as honestly
as any forgotten martyr but
i choose not tonot every act of freedom
is meant
to change the world
of all the words that matter
what i get sick of is
the search for hidden meaninglet the bleeding horse die
let the burning house burn
the same man has been
trapped inside for twenty-two years
and you will never save himhis children are grown
they have their own children now
and their own illusions
and their own forms of denialthey remind me of myself
and do you remember o'keeffe
slowly going blind
in the new mexico desert?do you remember my father and
all of the dogs who wanted
a piece of him after
the machines were turned off?or the men my own age making
empty threats
that i turned away frommen with or without futures
and we are all still mining
this same dead piece of land
six years laterwe are all waking up with the
taste of ashes thick in our mouthswith our lives defined by
second-hand cars and bank loans
and bills that can never
be paidand what's not exactly clear is
whether this is self-pity
or angerwhat keeps me awake at night
are the fates of
all of these missing children
and the fact that blind faith in the
god of atrocities is
not enoughthe fact that faith in a savior
who couldn't even save himself
is a bitter jokemy gift to you on this
final day of forgotten ghosts
will be laughter for
its own sake
poem for michael giberson, who asked for one
a blue sky reflected darkly
in a brown river
and pollock all but forgotten in this
age of secret warsthe graffiti on the retaining wall
nothing more than an inarticulate version
of my own useless angerand it's been two weeks now
since the last body was dragged out of the water
and identified
and i have already forgotten the nameremember only that he was
identified by a distinctive tattoo
and what i end up thinking about are
the men who organize riotsthe ones who scream WHAT DO WE WANT?
into faceless crowds
when it's obvious that the answer
is powerwhat i end up thinking about
is your latest letterabout the vast empty spaces between
guilt and relief and
how easy it is to get lost there
and i understand what you're sayingi've built my life
around my wife and soni have no use for stories with morals
have no strength to mourn the
brutal death of every strangerwill not waste my life grieving for
all of the atrocities i
cannot control