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Emma Lazarus (1849-1897)
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SonnetsEchoesSuccess The New Colossus Venus of the Louvre Chopin I,II,III,IV Symphonic Studies Prelude,I,II,III,IV,V,VI,Epilogue Long Island Sound Destiny 1856,1879 From One Augur to Another The Cranes of Ibycus Critic and Poet St. Michael's Chapel Life and Art Sympathy Youth and Death Age and Death City Visions I,II Influence Restlessness EchoesLATE-BORN and woman-souled I dare not hope,The freshness of the elder lays, the might Of manly, modern passion shall alight Upon my Muse's lips, nor may I cope (Who veiled and screened by womanhood must grope) With the world's strong-armed warriors and recite The dangers, wounds, and triumphs of the fight; Twanging the full-stringed lyre through all its scope. But if thou ever in some lake-floored cave O'erbrowed by rocks, a wild voice wooed and heard, Answering at once from heaven and earth and wave, Lending elf-music to thy harshest word, Misprize thou not these echoes that belong To one in love with solitude and song. SuccessOFT have I brooded on defeat and pain,The pathos of the stupid, stumbling throng. These I ignore to-day and only long To pour my soul forth in one trumpet strain, One clear, grief-shattering, triumphant song, For all the victories of man's high endeavor, Palm-bearing, laureled deeds that live forever, The splendor clothing him whose will is strong. Hast thou beheld the deep, glad eyes of one Who has persisted and achieved? Rejoice! On naught diviner shines the all-seeing sun. Salute him with free heart and choral voice, 'Midst flippant, feeble crowds of spectres wan, The bold, significant successful man. The New Colossus(Note: Written in aid of Bartholdi Pedestal Fund, 1883.)
NOT like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!" Venus of the LouvreDOWN the long hall she glistens like a star,The foam-born mother of Love, transfixed to stone, Yet none the less immortal, breathing on. Time's brutal hand hath maimed but could not mar. When first the enthralled enchantress from afar Dazzled mine eyes, I saw not her alone, Serenely poised on her world-worshipped throne, As when she guided once her dove-drawn car, -- But at her feet a pale, death-stricken Jew, Her life adorer, sobbed farewell to love. Here Heine wept! Here still he weeps anew, Nor ever shall his shadow lift or move, While mourns one ardent heart, one poet-brain, For vanished Hellas and Hebraic pain. ChopinI.A DREAM of interlinking hands, of feetTireless to spin the unseen, fairy woof, Of the entangling waltz. Bright eyebeams meet, Gay laughter echoes from the vaulted roof. Warm perfumes rise; the soft unflickering glow Of branching lights sets off the changeful charms Of glancing gems, rich stuffs, the dazzling snow Of necks unkerchieft, and bare, clinging arms. Hark to the music! How beneath the strain Of reckless revelry, vibrates and sobs One fundamental chord of constant pain, The pulse-beat of the poet's heart that throbs. So yearns, though all the dancing waves rejoice, The troubled sea's disconsolate, deep voice. II.Who shall proclaim the golden fable falseOf Orpheus' miracles? This subtle strain Above our prose-world's sordid loss and gain Lightly uplifts us. With the rhythmic waltz, The lyric prelude, the nocturnal song Of love and languor, varied visions rise, That melt and blend to our enchanted eyes. The Polish poet who sleeps silenced long, The seraph-souled musician, breathes again Eternal eloquence, immortal pain. Revived the exalted face we know so well, The illuminated eyes, the fragile frame, Slowly consuming with its inward flame, We stir not, speak not, lest we break the spell. III.A voice was needed, sweet and true and fineAs the sad spirit of the evening breeze, Throbbing with human passion, yet divine As the wild bird's untutored melodies. A voice for him 'neath twilight heavens dim, Who mourneth for his dead, while round him fall The wan and noiseless leaves. A voice for him Who sees the first green sprout, who hears the call Of the first robin on the first spring day. A voice for all whom Fate hath set apart, Who, still misprized, must perish by the way, Longing with love, for that they lack the art Of their own soul's expression. For all these Sing the unspoken hope, the vague, sad reveries. IV.Then Nature shaped a poet's heart -- a lyreFrom out whose chords the lightest breeze that blows Drew trembling music, wakening sweet desire. How shall she cherish him? Behold! she throws This precious, fragile treasure in the whirl Of seething passions; he is scourged and stung, Must dive in storm-vext seas, if but one pearl Of art or beauty therefrom may be wrung. No pure-browed pensive nymph his Muse shall be, An amazon of thought with sovereign eyes, Whose kiss was poison, man-brained, worldly-wise, Inspired that elfin, delicate harmony. Rich gain for us! But with him is it well? The poet who must sound earth, heaven, and hell! Symphonic Studies.(After Robert Schumann.)Prelude BLUE storm-clouds in hot heavens of mid-July Hung heavy, brooding over land and sea: Our hearts, a-tremble, throbbed in harmony With the wild, restless tone of air and sky. Shall we not call him Prospero who held In his enchanted hands the fateful key Of that tempestuous hour's mystery, And with controlling wand our spirits spelled, With him to wander by a sun-bright shore, To hear fine, fairy voices, and to fly With disembodied Ariel once more Above earth's wrack and ruin? Far and nigh The laughter of the thunder echoed loud, And harmless lightnings leapt from cloud to cloud. I.Floating upon a swelling wave of sound,We seemed to overlook an endless sea: Poised 'twixt clear heavens and glittering surf were we. We drank the air in flight: we knew no bound To the audacious ventures of desire. Nigh us the sun was dropping, drowned in gold; Deep, deep below the burning billows rolled; And all the sea sang like a smitten lyre. Oh, the wild voices of those chanting waves! The human faces glimpsed beneath the tide! Familiar eves gazed from profound sea-caves, And we, exalted, were as we had died. We knew the sea was Life, the harmonious cry The blended discords of humanity. II.Look deeper yet: mark 'midst the wave-blurred mass.In lines distinct, in colors clear defined, The typic groups and figures of mankind. Behold within the cool and liquid glass Bright child-folk sporting with smooth yellow shells, Astride of dolphins, leaping up to kiss Fair mother-faces. From the vast abyss How joyously their thought-free laughter wells! Some slumber in grim caverns unafraid, Lulled by the overwhelming water's sound, And some make mouths at dragons, undismayed. Oh dauntless innocence! The gulfs profound Reëcho strangely with their ringing glee, And with wise mermaids' plaintive melody. III.What do the sea-nymphs in that coral cave?With wondering eyes their supple forms they bend O'er something rarely beautiful. They lend Their lithe white arms, and through the golden wave They lift it tenderly. Oh blinding sight! A naked, radiant goddess, tranced in sleep, Full-limbed, voluptuous, 'neath the mantling sweep Of auburn locks that kiss her ankles white! Upward they bear her, chanting low and sweet: The clinging waters part before their way, Jewels of flame are dancing 'neath their feet. Up in the sunshine, on soft foam, they lay Their precious burden, and return forlorn. Oh, bliss! oh, anguish! Mortals, Love is born! IV.Hark! from unfathomable deeps a dirgeSwells sobbing through the melancholy air: Where Love has entered, Death is also there. The wail outrings the chafed, tumultuous surge; Ocean and earth, the illimitable skies, Prolong one note, a mourning for the dead, The cry of souls not to be comforted. What piercing music! Funeral visions rise, And send the hot tears raining down our cheek. We see the silent grave upon the hill With its lone lilac-bush. O heart, be still! She will not rise, she will not stir nor speak. Surely, the unreturning dead are blest. Ring on, sweet dirge, and knell us to our rest! V.Upon the silver beach the undines danceWith interlinking arms and flying hair; Like polished marble gleam their limbs left bare; Upon their virgin rites pale moonbeams glance. Softer the music! for their foam-bright feet Print not the moist floor where they trip their round: Affrighted they will scatter at a sound, Leap in their cool sea-chambers, nimbly fleet, And we shall doubt that we have ever seen, While our sane eyes behold stray wreaths of mist, Shot with faint colors by the moon-rays kissed, Floating snow-soft, snow-white, where these had been. Already, look! the wave-washed sands are bare, And mocking laughter ripples through the air. VI.Divided 'twixt the dream-world and the real,We heard the waxing passion of the song Soar as to scale the heavens on pinions strong. Amidst the long-reverberant thunder-peal, Against the rain-blurred square of light, the head Of the pale poet at the lyric keys Stood boldly cut, absorbed in reveries, While over it keen-bladed lightnings played. "Rage on, wild storm!" the music seemed to sing: "Not all the thunders of thy wrath can move The soul that's dedicate to worshipping Eternal Beauty, everlasting Love." No more! the song was ended, and behold, A rainbow trembling on a sky of gold! EpilogueForth in the sunlit, rain-bathed air we stepped,Sweet with the dripping grass and flowering vine, And saw through irised clouds the pale sun shine. Back o'er the hills the rain-mist slowly crept Like a transparent curtain's silvery sheen; And fronting us the painted bow was arched, Whereunder the majestic cloud-shapes marched: In the wet, yellow light the dazzling green Of lawn and bush and tree seemed stained with blue. Our hearts o'erflowed with peace. With smiles we spake Of partings in the past, of courage new, Of high achievement, of the dreams that make A wonder and a glory of our days, And all life's music but a hymn of praise. Long Island SoundI SEE it as it looked one afternoonIn August, -- by a fresh soft breeze o'erblown. The swiftness of the tide, the light thereon, A far-off sail, white as a crescent moon. The shining waters with pale currents strewn, The quiet fishing-smacks, the Eastern cove, The semi-circle of its dark, green grove. The luminous grasses, and the merry sun In the grave sky; the sparkle far and wide, Laughter of unseen children, cheerful chirp Of crickets, and low lisp of rippling tide, Light summer clouds fantastical as sleep Changing unnoted while I gazed thereon. All these fair sounds and sights I made my own. Destiny1856PARIS, from throats of iron, silver, brass,Joy-thundering cannon, blent with chiming bells, And martial strains, the full-voiced pæan swells. The air is starred with flags, the chanted mass Throngs all the churches, yet the broad streets swarm With glad-eyed groups who chatter, laugh, and pass, In holiday confusion, class with class. And over all the spring, the sun-floods warm! In the Imperial palace that March morn, The beautiful young mother lay and smiled; For by her side just breathed the Prince, her child, Heir to an empire, to the purple born, Crowned with the Titan's name that stirs the heart Like a blown clarion -- one more Bonaparte. 1879BORN to the purple, lying stark and dead,Transfixed with poisoned spears, beneath the sun Of brazen Africa! Thy grave is one, Fore-fated youth (on whom were visited Follies and sins not thine), whereat the world, Heartless howe'er it be, will pause to sing A dirge, to breathe a sigh, a wreath to fling Of rosemary and rue with bay-leaves curled. Enmeshed in toils ambitious, not thine own, Immortal, loved boy-Prince, thou tak'st thy stand With early doomed Don Carlos, hand in hand With mild-browed Arthur, Geoffrey's murdered son, Louis the Dauphin lifts his thorn-ringed head, And welcomes thee, his brother, 'mongst the dead. From One Augur To AnotherSo, Calchas, on the sacred Palatine,You thought of Mopsus, and o'er wastes of sea A flower brought your message. I divine (Through my deep art) the kindly mockery That played about your lips and in your eyes, Plucking the frail leaf, while you dreamed of home. Thanks for the silent greeting! I shall prize, Beyond June's rose, the scentless flower of Rome. All the Campagna spreads before my sight, The mouldering wall, the Cæsars' tombs unwreathed, Rome and the Tiber, and the yellow light, Wherein the honey-colored blossom breathed. But most I thank it -- egoists that we be! For proving then and there you thought of me. The Cranes Of IbycusTHERE was a man who watched the river flowPast the huge town, one gray November day. Round him in narrow high-piled streets at play The boys made merry as they saw him go, Murmuring half-loud, with eyes upon the stream, The immortal screed he held within his hand. For he was walking in an April land With Faust and Helen. Shadowy as a dream Was the prose-world, the river and the town. Wild joy possessed him; through enchanted skies He saw the cranes of Ibycus swoop down. He closed the page, he lifted up his eyes, Lo -- a black line of birds in wavering thread Bore him the greetings of the deathless dead! Critic and PoetAn Apologue("Poetry must be simple, sensuous, or impassioned; this man is neither simple, sensuous, nor impassioned; therefore he is not a poet.") NO man had ever heard a nightingale, When once a keen-eyed naturalist was stirred To study and define -- what is a bird, To classify by rote and book, nor fail To mark its structure and to note the scale Whereon its song might possibly be heard. Thus far, no farther; -- so he spake the word. When of a sudden, -- hark, the nightingale! Oh deeper, higher than he could divine That all-unearthly, untaught strain! He saw The plain, brown warbler, unabashed. "Not mine" (He cried) "the error of this fatal flaw. No bird is this, it soars beyond my line, Were it a bird, 't would answer to my law." St. Michael's ChapelWHEN the vexed hubbub of our world of gain Roars round about me as I walk the street, The myriad noise of Traffic, and the beat Of Toil's incessant hammer, the fierce strain Of Struggle hand to hand and brain to brain, Ofttimes a sudden dream my sense will cheat, The gaudy shops, the sky-piled roofs retreat, And all at once I stand enthralled again Within a marble minster over-seas. I watch the solemn gold-stained gloom that creeps To kiss an alabaster tomb, where sleeps A lady 'twixt two knights' stone effigies, And every day in dusky glory steeps Their sculptured slumber of five centuries. Life and ArtNOT while the fever of the blood is strong,The heart throbs loud, the eyes are veiled, no less With passion than with tears, the Muse shall bless The poet-soul to help and soothe with song. Not then she bids his trembling lips express The aching gladness, the voluptuous pain. Life is his poem then; flesh, sense, and brain One full-stringed lyre attuned to happiness. But when the dream is done, the pulses fail, The day's illusion, with the day's sun set, He, lonely in the twilight, sees the pale Divine Consoler, featured like Regret, Enter and clasp his hand and kiss his brow. Then his lips ope to sing -- as mine do now. SympathyTHEREFORE I dare reveal my private woe, The secret blots of my imperfect heart, Nor strive to shrink or swell mine own desert, Nor beautify nor hide. For this I know, That even as I am, thou also art. Thou past heroic forms unmoved shalt go, To pause and bide with me, to whisper low: "Not I alone am weak, not I apart Must suffer, struggle, conquer day by day. Here is my very cross by strangers borne, Here is my bosom-sin wherefrom I pray Hourly deliverance -- this my rose, my thorn. This woman my soul's need can understand, Stretching o'er silent gulfs her sister hand." Youth and DeathWHAT hast thou done to this dear friend of mine,Thou cold, white, silent Stranger? From my hand Her clasped hand slips to meet the grasp of thine; Her eyes that flamed with love, at thy command Stare stone-blank on blank air; her frozen heart Forgets my presence. Teach me who thou art, Vague shadow sliding 'twixt my friend and me. I never saw thee till this sudden hour. What secret door gave entrance unto thee? What power is thine, o'ermastering Love's own power? Age and DeathCOME closer, kind, white, long-familiar friend,Embrace me, fold me to thy broad, soft breast. Life has grown strange and cold, but thou dost bend Mild eyes of blessing wooing to my rest. So often hast thou come, and from my side So many hast thou lured, I only bide Thy beck, to follow glad thy steps divine. Thy world is peopled for me; this world's bare. Through all these years my couch thou didst prepare. Thou art supreme Love -- kiss me -- I am thine! City VisionsI.As the blind Milton's memory of light,The deaf Beethoven's phantasy of tone, Wrought joys for them surpassing all things known In our restricted sphere of sound and sight, -- So while the glaring streets of brick and stone Vex with heat, noise, and dust from morn till night, I will give rein to Fancy, taking flight From dismal now and here, and dwell alone With new-enfranchised senses. All day long, Think ye 't is I, who sit 'twixt darkened walls, While ye chase beauty over land and sea? Uplift on wings of some rare poet's song, Where the wide billow laughs and leaps and falls, I soar cloud-high, free as the winds are free. II.Who grasps the substance? who 'mid shadows strays?He who within some dark-bright wood reclines, 'Twixt sleep and waking, where the needled pines Have cushioned all his couch with soft brown sprays? He notes not how the living water shines, Trembling along the cliff, a flickering haze, Brimming a wine-bright pool, nor lifts his gaze To read the ancient wonders and the signs. Does he possess the actual, or do I, Who paint on air more than his sense receives, The glittering pine-tufts with closed eyes behold, Breathe the strong resinous perfume, see the sky Quiver like azure flame between the leaves, And open unseen gates with key of gold? InfluenceTHE fervent, pale-faced Mother ere she sleep,Looks out upon the zigzag-lighted square, The beautiful bare trees, the blue night-air, The revelation of the star-strewn deep, World above world, and heaven over heaven. Between the tree-tops and the skies, her sight Rests on a steadfast, ruddy-shining light, High in the tower, an earthly star of even. Hers is the faith in saints' and angels' power, And mediating love -- she breathes a prayer For yon tired watcher in the gray old tower. He the shrewd, skeptic poet unaware Feels comforted and stilled, and knows not whence Falls this unwonted peace on heart and sense. Restlessness(Note: Written before visiting Florence)WOULD I had waked this morn where Florence smiles, A-bloom with beauty, a white rose full-blown, Yet rich in sacred dust, in storied stone, Precious past all the wealth of Indian isles -- From olive-hoary Fiesole to feed On Brunelleschi's dome my hungry eye, And see against the lotus-colored sky, Spring the slim belfry graceful as a reed. To kneel upon the ground where Dante trod, To breathe the air of immortality From Angelo and Raphael -- to be -- Each sense new-quickened by a demi-god. To hear the liquid Tuscan speech at whiles, From citizen and peasant, to behold The heaven of Leonardo washed with gold -- Would I had waked this morn where Florence smiles! |
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