Elinor Wylie

The Lost Path
Sea Lullaby
The Eagle and the Mole
Beauty
Wild Peaches
Les Lauriers Sont Coupée
The Child on the Curbstone
Phases of the Moon
Nadir
The Poor Old Cannon
October
Ophelia
Poor Earth
Love Song
Quarrel
Death and the Maiden
Primavera in the North
Little Joke
Venetian Interior
The Pekingese
Curious Circumstance

The Lost Path

The garden's full of scented wallflowers,
And, save that these stir faintly, nothing stirs;
Only a distant bell in hollow chime
Cried out just now for far-forgoten time,
And three reverberate words the great bell spoke.
The knocker's made of brass, the door of oak,
And such a clamor must be loosed on air
By the knocker's blow that knock I do not dare.
The silence is a spell, and if it break,
What things, that now lie sleeping, will awake?

Are simple creatures lying there in cool
Sweet linen sheets, in slumber like the pool
Of moonlight white as water on the floor?
Will they come down laughing and unlock the door?
And will they draw me in, and let me sit
On the tall settle while the lamp is lit?
And shall I see their innocent clean lives
Shining as plainly as the plates and knives,
The blue bowls, and the brass cage with its bird?

But listen! listen! surely something stirred
Within the house, and creeping down the halls
Draws close to me with sinister footfalls.
Will long pale fingers softly lift the latch,
And lead me up, under the osier thatch,
To a little room, a little secret room,
Hung with green arras picturing the doom,
The most disasterous death of some proud knight?
And shall I search the room by candle-light
And see, behind the curtains of my bed,
A murdered man who sleeps as sleep the dead?

Or will my clamorous knocking shake the trees
With lonely thunder through the stillnesses,
And then lie down--the coldest fear of all--
To nothing, and deliberate silence fall
On the house deep in the silence, and no one come
To door or window, staring blind and dumb?

Sea Lullaby

The old moon is tarnished
With smoke of the flood,
The dead leaves are varnished
With colour like blood.

A treacherous smiler
With teeth white as milk,
A savage beguiler
In sheathings of silk

The sea creeps to pillage,
She leaps on her prey;
A child of the village
Was murdered today.

She came up to meet him
In a smooth golden cloak,
She choked him and beat him
to death, for a joke.

Her bright locks were tangled,
She shouted for joy
With one hand she strangled
A strong little boy.

Now in silence she lingers
Beside him all night
To wash her long fingers
In silvery light.

The Eagle and the Mole

Avoid the reeking herd,
Shun the polluted flock,
Live like that stoic bird,
The eagle of the rock.

The huddled warmth of crowds
Begets and fosters hate;
He keeps above the clouds
His cliff inviolate.

When flocks are folded warm,
And herds to shelter run,
He sails above the storm,
He stares into the sun.

If in the eagle's track
Your sinews cannot leap,
Avoid the lathered pack,
Turn from the steaming sheep.

If you would keep your soul
From spotted sight or sound,
Live like the velvet mole:
Go burrow underground.

And there hold intercourse
With roots of trees and stones,
With rivers at their source,
And disembodied bones.

Beauty

Say not of beauty she is good,
Or aught but beautiful,
Or sleek to doves' wings of the wood
Her wild wings of a gull.

Call her not wicked; that word's touch
Consumes her like a curse;
But love her not too much, too much,
For that is even worse.

O, she is neither good nor bad,
But innocent and wild!
Enshrine her and she dies, who had
The hard heart of a child.

Wild Peaches

1

When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.

The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.

2

The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.

Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.

3

When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.

The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.

4

Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.

Les Lauriers Sont Coupée

Ah, love, within the shadow of the wood
The laurels are cut down; some other brows
May bear the classic wreath which Fame allows
And find the burden honorable and good.
Have we not passed the laurels as they stood--
Soft in the veil with which Spring endows
The wintry glitter of their woven boughs--
Nor stopped to break the branches while we could?

Ah, love, for other brows they are cut down.
Thornless and scentless are their stems and flowers,
And cold as death their twisted coronal.
Sweeter to us the sharpness of this crown;
Sweeter the wildest roses which are ours;
Sweeter the petals, even when they fall.

The Child on the Curbstone

The headlights raced; the moon, death-faced,
Stared down on that golden river.
I saw through the smoke the scarlet cloak
Of a boy who could not shiver.

His father's hand forced him to stand,
The traffic thundered slaughter;
One foot he thrust in the whirling dust
As it were running water.

As in a dream I saw the stream
Scatter in drops that glistened;
They flamed, they flashed, his brow they splashed,
And danger's son was christened.

The portent passed; his fate was cast,
Sea-farer, desert-ranger.
Tearless I smiled on that fearless child
Dipping his foot in Danger.

Phases of the Moon

Once upon a time I heard
That the flying moon was a Phoenix bird;
Thus she sails through windy skies,
Thus in the willow's arms she lies;
Turn to the East or turn to the West
In many trees she makes her nest.
When she's but a pearly thread
Look among birch leaves overhead;
When she dies in yellow smoke
Look in a thunder-smitten oak;
But in May when the moon is full,
Bright as water and white as wool,
Look for her where she loves to be,
Asleep in a high magnolia tree.

Nadir

If we must cheat ourselves with any dream,
Then let it be a dream of nobleness:
Since it is necessary to express
Gall from black grapes--to sew an endless seam
With a rusty needle--chase a spurious gleam
Narrowing to the nothing through the less--
Since life's no better than a bitter guess,
And love's a stranger--let us change the theme.

Let us at least pretend--it may be true--
That we can close our lips on poisonous
Dark wine diluted by the Stygean wave;
And let me dream sublimity in you,
And courage, liberal for the two of us:
Let us at least pretend we can be brave.

The Poor Old Cannon

Upbroke the sun
In red-gold foam;
Thus spoke the gun
At the Soldier's Home:

"Whenever I hear
Blue thunder speak
My voice sounds clear
But little and weak.

"And when the proud
Young cockerels crow
My voice sounds loud,
But gentle and low.

"When the mocking-bird
Prolongs his note
I cannot be heard
Though I split my throat."

October

Beauty has a tarnished dress,
And a patchwork cloak of cloth
Dipped deep in mournfulness,
Striped like a moth.

Wet grass where it trails
Dyes it green along the hem;
She has seven silver veils
With cracked bells on them.

She is tired of all these--
Grey gauze, translucent lawn;
The broad cloak of Herakles.
Is tangled flame and fawn.

Water and light are wearing thin:
She has drawn above her head
The warm enormous lion skin
Rough red and gold.

Ophelia

My locks are shorn for sorrow
     Of love which may not be;
Tomorrow and tomorrow
     Are plotting cruelty.

The winter wind tangles
     These ringlets half-grown,
The sun sprays with spangles
     And rays like his own.

Oh, quieter and colder
     Is the stream; he will wait;
When my curls touch my shoulder
     He will comb them straight.

Poor Earth

It is not heaven: bitter seed
Leavens its entrails with despair
It is a star where dragons breed:
Devils have a footing there.

The sky has bent it out of shape;
The sun has strapped it to his wheel;
Its course is crooked to escape
Traps and gins of stone and steel.

It balances on air, and spins
Snared by strong transparent space;
I forgive it all its sins;
I kiss the scars upon its face.

Love Song

Lovers eminent in love
Ever diversities combine;
The vocal chords of the cushat-dove,
The snake's articulated spine.

Such elective elements
Educate the eye and lip
With one's refreshing innocence,
The other's claim to scholarship.

The serpent's knowledge of the world
Learn, and the dove's more naïve charm;
Whether your ringlets should be curled,
And why he likes his claret warm.

Quarrel

Let us quarrel for these reasons:
You detest the salt which seasons
My speech . . . and all my lights go out
In the cold poison of your doubt.
I love Shelley . . . you love Keats
Something parts and something meets.
I love salads . . . you love chops;
Something goes and something stops.
Something hides its face and cries;
Something shivers; something dies.
I love blue ribbons brought from fairs;
You love sitting splitting hairs.
I love truth, and so do you . . .
Tell me, is it truly true?

Death and the Maiden

Barcarole on the Styx

Fair youth with the rose at your lips,
A riddle is hid in your eyes;
Discard conversational quips,
Give over elaborate disguise.

The rose's funeral breath
Confirms by intuitive fears;
To prove your devotion, Sir Death,
Avaunt for a dozen of years.

But do not forget to array
Your terror in juvenile charms;
I shall deeply regret my delay
If I sleep in a skeleton's arms.

Primavera in the North

She has danced for leagues and leagues,
Over thorns and thistles,
Prancing to a tune of Griegg's
Performed on willow whistles.

Antelopes behold her, dazed,
Velvet-eyed, and furry;
Polar flowers, crackle-glazed,
Snap beneath her hurry.

In a wig of copper wire,
A gown of scalloped gauzes,
She capers like a flame of fire
Over Arctic mosses.

All her tears have turned to birds,
All her thoughts of dolour
Paint the snow with scarlet words
And traceries of colour.

Little Joke

Stripping an almond tree in flower
     The wise apothecary's skill
A single drop of lethal power
     From perfect sweetness can distill

From bitterness in efflorescence,
     With murderous poisons packed therein;
The poet draws pellucid essence
     Pure as a drop of metheglin.

Venetian Interior

Allegra, rising from her canopied dreams,
Slides both white feet across the slanted beams
Which lace the peacock jalousies: behold
An idol of fine clay, with feet of gold.

The Pekingese

FOR A PICTURE

This Pekingese, that makes the sand-grains spin,
Is digging little tunnels to Pekin:
Dream him emerging in a porcelain cave
Where wounded dragons stain a pearly wave.

Curious Circumstance

The sailorman's child
And the girl of the witch--
They can't be defiled
By touching pitch.

The sailorman's son
Had a ship for a nursery;
The other one
Was baptised by sorcery.

Although he's shipped
To the Persian Gulf, her
Body's been dipped
In burning sulphur.