Sor Juana Inés de La Cruz

(1648 - 1695)

I Approach and I Withdraw
Disillusionment
On the death of that most excellent lady, the Marquise de Mancera
You Men

I Approach and I Withdraw

I approach, and I withdraw:
who but I could find
absence in the eyes,
presence in what's far?
From the scorn of Phyllis,
now, alas, I must depart.
One is indeed unhappy
who misses even scorn!
So caring is my love
that my present distress
minds hard-heartedness less
than the thought of its loss.
Leaving, I lose more
than what is merely mine:
in Phyllis, never mine,
I lose what can't be lost.
Oh, pity the poor person
who aroused such kind disdain
that to avoid giving pain,
it would grant no favor!
For, seeing in my future
obligatory exile,
she disdained me the more,
that the loss might be less.
Oh, where did you discover
so neat a tactic, Phyllis:
denying to disdain
the garb of affection?
To live unobserved
by your eyes, I now go
where never pain of mine
need flatter your disdain.

Disillusionment

Disillusionment,
this is the bitter end,
this proves you're rightly called
the end of illusion.
You've made me lose all,
yet no, losing all
is not paying too dear
for being undeceived.
No more will you envy
the allurements of love,
for one undeceived
has no risk left to run.
It's some consolation
to be expecting none:
there's relief to be found
in seeking no cure.
In loss itself
I find assuagement:
having lost the treasure,
I've nothing to fear.
Having nothing to lose
brings peace of mind:
one traveling without funds
need not fear thieves.
Liberty itself
for me is no boon:
if I hold it such,
it will soon be my bane.
No more worries for me
over boons so uncertain:
I will own my very soul
as if it were not mine.

On the death of that most excellent lady, the Marquise de
Mancera

Let them die with you, Laura, now you are dead,
these longings that go out to you in vain,
these eyes on whom you once bestowed
a lovely light never to gleam again.
Let this unfortunate lyre that echoes still
to sounds you woke, perishcalling your name,
and may these clumsy scribblings represent
black tears my pen has shed to ease its pain.
Let Death himself feel pity, and regret
that, bound by his own law, he could not spare you,
and Love lament the bitter circumstance
that if once, in his desire for pleasure,
he wished for eyes that they might feast on you,
now weeping is all those eyes could ever do.

You Men

Silly, you men-so very adept
at wrongly faulting womankind,
not seeing you're alone to blame
for faults you plant in woman's mind.
After you've won by urgent plea
the right to tarnish her good name,
you still expect her to behave--
you, that coaxed her into shame.
You batter her resistance down
and then, all righteousness, proclaim
that feminine frivolity,
not your persistence, is to blame.
When it comes to bravely posturing,
your witlessness must take the prize:
you're the child that makes a bogeyman,
and then recoils in fear and cries.
Presumptuous beyond belief,
you'd have the woman you pursue
be Thais when you're courting her,
Lucretia once she falls to you.
For plain default of common sense,
could any action be so queer
as oneself to cloud the mirror,
then complain that it's not clear?
Whether you're favored or disdained,
nothing can leave you satisfied.
You whimper if you're turned away,
you sneer if you've been gratified.
With you, no woman can hope to score;
whichever way, she's bound to lose;
spurning you, she's ungrateful--
succumbing, you call her lewd.
Your folly is always the same:
you apply a single rule
to the one you accuse of looseness
and the one you brand as cruel.
What happy mean could there be
for the woman who catches your eye,
if, unresponsive, she offends,
yet whose complaisance you decry?
Still, whether it's torment or anger--
and both ways you've yourselves to blame--
God bless the woman who won't have you,
no matter how loud you complain.
It's your persistent entreaties
that change her from timid to bold.
Having made her thereby naughty,
you would have her good as gold.
So where does the greater guilt lie
for a passion that should not be:
with the man who pleads out of baseness
or the woman debased by his plea?
Or which is more to be blamed--
though both will have cause for chagrin:
the woman who sins for money
or the man who pays money to sin?
So why are you men all so stunned
at the thought you're all guilty alike?
Either like them for what you've made them
or make of them what you can like.
If you'd give up pursuing them,
you'd discover, without a doubt,
you've a stronger case to make
against those who seek you out.
I well know what powerful arms
you wield in pressing for evil:
your arrogance is allied
with the world, the flesh, and the devil!